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Features:
Fast/Slow
Switch: Select Fast or Slow speed by pushing and releasing
this momentary switch.
On/Off
Switch: Engages the effect when On (green LED will light),
True bypass when Off.
Ramp Time:
Controls how long it takes to ramp up or down to the set speed (when
switching from Fast to Slow, or Slow to Fast
speeds)
Slow Speed:
Controls the Slow spin speed (~12:00 O’clock position is actual
Rotating speaker slow speed)
Fast Speed:
Controls the Fast spin speed (~12:00 O’clock position is actual
Rotating speaker fast speed)
Tweeter
Level: Adjusts how much and how intense the Tweeter horn is.
Bass
Level: Adjusts how much and how intense the Bass horn (rotor)
is.
Overdrive
On – Off switch: Selects between no overdrive (clean), and
internal overdrive effect
Overdrive
Gain: Controls how much overdrive is added (when Overdrive is
On)
Tweeter
Spin LED: Blinks at the tweeter horn spin rate
Bass
Spin LED: Blinks at the bass horn (rotor) spin rate
Two
inputs and two outputs for: Mono in-Mono Out, or Mono
in-Stereo Out, or Stereo in-Stereo Out (all ¼” jacks)
Internal
Blend pot: mix the amount of un-processed analog signal with
RotoSIM™ sound
Internal
INA Pot: Adjusts the input gain level of Input A
Internal
OUTA Pot: Adjusts the volume of OUTA
Internal
INB Pot: Adjusts the input gain level of Input B
Internal
OUTB Pot: Adjusts the volume of OUTB
Internal
Bass Lag Pot: Pot to adjust how much time the Bass rotor lags
the Tweeter speed
Internal
Effect Response Pot: Adjustment for RotoSIM™ sound, liquid or
dryer throbbing
Analog
instrument signal is maintained and mixed with the RotoSIM™ effect
signals.
Extremely
warm
sounding and versatile.
9vdc
input, any polarity (Worry free if using your 9volt pedal board
supply)
9vdc
transformer included
All
steel enclosure, steel pots, and steel jacks
Powder
coated enclosure (more durable than standard painting)
Designed
and manufactured in the USA by engineers who are also musicians
Every
effect is tested by an engineer/musician
**Note about OUTA & OUTB: OUTA is
designed to sound slightly different to OUTB. OUTB is deeper and
thicker sounding than OUTA. The musician can experiment with both
outputs while the instrument is plugged into INA. ( This also gives
a nicer stereo sound spread when used in stereo). Also, both OUTA
and OUTB can both be thicker or more transparent by adjusting the
internal BLEND pot (see manual).
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